David Dooghe works as a researcher, strategist and designer on urban development.
The resulting projects can be temporary or long-term designs and strategies. These projects combine different scales and are characterized by their strong connection with the spatial, cultural, social and economical context of where they occur.
For David Dooghe the city is organic. Questioning the city and understanding its working principles is the path to a sustainable project.
For more information, click on the Project numbers:
P31_The New City Gates / P3o_Island Nijmegen-Lent / P29_World Port Days / P28_Water Garden / P27_the International Perspectives / P26_Economics of Beauty / P25_the Vibrant City / P24_CityGallery Cool / P23_Defining the Metropolis / P22_House DDR'dam / P21_Soundpiece @ Schouwburgplein / P2o_between Space and Place / P19_the top is within reach / P18_Transformation as Inspiration / P17_the Art of an Urban Culture / P16_Youth and the City / P15_IFF@R'dam / P14_We love to build / P13_the Rotterdam urban theatre / P12_Caribbean Summer @Afrikaanderwijk / P11_Festivalscity_Rotterdam / P1o_TimeLine R'dam / Po9_Moving East / Po8_Keep it, Green it, Live in it! / Po7_Morpho-Logic / Po6_Luik, Liege,Luttich / Po5_House FDU'sel / Po4_Shelter / Po3_New Alliances / Po2_Tria / Po1_Loft for Rent
Since the NewCanvas©Poetry&Art, part of the 37 Poetry International Festival, there is a sound-installation, the Soundpiece, under the floor of the Schouwburgplein, Rotterdam. This installation was placed by the artists Jasper Niens, Kamiel Verschuren en Thijs Ewalts.
By order of Rotterdam Festivals, the new owners of the installation, a strategy was made for a sustainable use of this installation. The Soundpiece has the ability to make the Schouwburgplein the urban cultural foyer of Rotterdam. By sound, the rich and divere cultural life of Rotterdam is spread in the public space.
More information about the program / more information about the use of the Soundpiece/ to become a Facebookfriend.
2oo9, Rotterdam, The Netherlands
The owner of the apartment has a busy life and wants his apartment therefor to have a light, open atmosphere, a place to relax and to come to ease.
This L-shaped apartment therefor has a minimal of materials and colours. In the main open space objects are put which define different places. These objects are placed so the sunlight can fall deep into the apartment.
Plywood has been used as the combining factor. The floor becomes a layer above the kitchenblock, becomes a part of the built-in closet and turns up the wall to become a desk.
2o1o, Rotterdam, The Netherlands
De Aanschouw Rotterdam started July 6th 2oo1 and is the first of art show-windows. It is located in a cultural area of Rotterdam. The show-window is attached to the exterior of a bar called 'de Schouw’. Since 2oo1, almost 4oo artists (national and international) have shown their works at 'de Aanschouw'.
CityGallery Cool sees Rotterdam as an open air museum and exhibits a new way to experience this museum, by drawing the attention of the spectator to the richness of detail that can be seen by walking through the city.
These details can be: proportions between the architecture and the details of the use of a building, personal expressions in the public space, natural versus cultural,...
De Aanschouw will be the starting point from where the total CityGallery Cool, positioned in the neighbourhood of the district Cool (Witte de Withstr., Boomgaardsstr., Kortenaerstr., Eendrachtstr.), can be experienced.
2o1o, Rotterdam, The Netherlands
In 2oo9 Rotterdam was the first European youth capital. This created a lot of energy in the city around problems of youngsters and opportunities for youngsters. Within different local authorities was examined how this generated energy can be applied in the future policy.
In co-operation with Donica Buisman, project manager European Youth Capital at the Rotterdam Institute for Art and Culture, dKC, an analysis of the current situation of the problems of youngsters and opportunities for youngsters in Rotterdam was made by literature study, interviews and brainstorm sessions with different youth organisations. Next to this the tendencies of youth culture in general was investigated.
The analysis was converted in conclusions and recommendations how to make Rotterdam an attractive, young and creative city.
Rotterdam has all the potential to become an attractive, young and creative city. There is, especially within the offered cultural activities, a strong basis to attract the youngsters. The main recommendations for Rotterdam were that the authorities have to stake more on the top talent and anchor youth participation in the programming, the organisation and the communication.
The advice (only available in Dutch) can be requested by emailing to mail@daviddooghe.com
2oo9, Rotterdam , The Netherlands
Four development scenarios on how youth culture could improve the dynamic in the central city of Rotterdam.
The Rotterdam Institute for Art and Culture, dKC, worked on advice for the strong cultural structure for central city. David Dooghe was asked to give input on how the central city can become more culturally attractive for the youth of Rotterdam.
Four development scenarios were made, each starting from a different group of young users of the central city: the youngsters growing up, the students, the starting creative class and the second/third generation allochthonous.
By creating cultural research and development facilities with spaces to interact with the public, by using the public space as podium and by connecting education and business, more possibilities are anticipated for the youngsters to develop and express their own youth culture in the central city, creating a breading ground for new art.
Culture is becoming more and more a part of identity of youngsters; it is a way to express and to identify themselves. Therefore they should always be seen as the ambassadors of their culture.
The advice (only available in Dutch) can be requested by emailing to mail@daviddooghe.com
2oo9, Rotterdam, The Netherlands
The World Port Days is an annual festival that takes place along the river Maas in Rotterdam. The organisation has the ambition to locate the festival not only along the river, but also in the inner city.
The Schouwburgplein is one of the first squares that visitors pass on their route from the Central Station to the river and in the design of the square are many references to the Port. This makes it the perfect space in Rotterdam in the inner city to host the World Port Days.
The square becomes an open air exhibition that informs the visitor about the activities that occur in the port on one hand, this through exposing products produced in the port, and about the story behind the design of the square on the other hand, this through highlighting the elements on the square that refer to the port.
Related projects: P22_Soundpiece@Schouwburgplein, P11_Festivalcity_Rotterdam
2o12, Rotterdam, The Netherlands
From May until August there are three big intercultural carnivals in the northwest of Europe: the Karnaval Der Kulturen in Berlin, the Summercarnival Rotterdam and the Notting Hill Carnival in London. The carnivals have their specificities: origin and program and therefore a different (temporary and permanent) impact on the urban surrounding.
Karnaval Der Kulturen, originating from the city of Berlin to celebrate its growing international population, stretches the definition of the word carnival.
At Karnaval der Kulturen the main activity is the four days during street festival in the park (Blucherplatz), situated in Kreuzberg, near the metro stations: Hallesches Tor and Mehringdamm.
The whole richness of the different cultures can be experienced by live music, parties, exotic food, shopping for trinkets at the market streets and music, dance and acrobatics workshops. The parade is at one of these four days. It is a mixture of carnival groups from different countries and street performers. The parade ends near the park of the street festival.
In the former Heilig-Kreuz-Kirche, that is now cultural centre, also a part of the music program takes place. Other than the church, no permanent locations are used. Because of the temporary market, the local shops don’t really take part at the festival.
_visitors parade and street festival: 1 35o ooo _ width parade streets: between 3o and 5o metres.
Summercarnival originates form the small Antillean community in Rotterdam and grew steadily over the years to become one of the biggest festivals of Rotterdam. Now the festival is organised by a co-operation of a group of the Antillean community and the festival organisation Ducos Productions, who also organise other intercultural festivals.
The Summercarnival has a strong connection with the original concept of the Antillean Carnival and the parade is the main activity. Preliminary to the parade there is a carnival queen selection and the Battle of the Drums, the day before the carnival. The Battle of the Drums gathers people for four directions around the city centre and brings them, mainly along shoppingstreets, to the stage at the Coolsingel. The parade of the Summercarnival is located in the city centre and ends at the city hall of Rotterdam, located at the Coolsingel.
In the neighbourhood of the Coolsingel there are the main shopping streets and at the Coolsingel there are permanent food pavilions. Temporary market stalls with food, drinks and trinkets are added for the festival.
This festival has no permanent cultural location.
_visitors street festival: 9oo ooo _ width parade streets: between 15 and 5o metres.
Notting Hill Carnival originates in 1964 and started as a local festival, set up by the Afro-Caribbean communities of the Notting Hill area. It has now become a full-blooded Caribbean carnival.
The festival exists of 2 parades, a smaller one on Sunday (mostly visited by families with young children) and the main one on Monday. Next to the parades there are 40 static sound systems in the area where the parades are held.
The festival still takes place in Notting Hill area and different from the other parades in Berlin and Rotterdam, that are more linear, the Notting Hill carnival makes a round, creating an inside urban space. In this space the static sound systems, permanent and temporary shops and food places create a Caribbean atmosphere. This atmosphere can be experienced all the year round in the Tabernacle, a permanent multi-venue arts and entertainment centre in Notting Hill. The Tabernacle underpins an accent on local African Caribbean culture and maintains perennial activities in carnival arts.
_visitors parade and street festival: 8oo ooo _ width parade streets: between 15 and 25 metres.

A new space: www.daviddooghe.com.

How can digital space be an addition to the actual space I mainly work on and live in? Thinking about this question was the start to create a new website.
More than just a digital portfolio I wanted to create a platform of thoughts, showing more profoundly the process of projects: the inspiration, the new insights during the process and the definitive realisation.
In the upper part of the webpage appear inspiring quotes I selected. The Updates column functions as the main platform of thoughts. The Concepts give more textual information about the project, the Projects more visual information. Specific information for whom and where I did the project can be found in the second column.
On the homepage the updates are ordered by time, to order them by project and to get more information about a specific project, click on the Project numbers.
The structure of the website was built by Jan Misker, the concept and visuals are by David Dooghe.