David Dooghe works as a researcher, strategist and designer on urban development.
The resulting projects can be temporary or long-term designs and strategies. These projects combine different scales and are characterized by their strong connection with the spatial, cultural, social and economical context of where they occur.
For David Dooghe the city is organic. Questioning the city and understanding its working principles is the path to a sustainable project.
For more information, click on the Project numbers:
P31_The New City Gates / P3o_Island Nijmegen-Lent / P29_World Port Days / P28_Water Garden / P27_the International Perspectives / P26_Economics of Beauty / P25_the Vibrant City / P24_CityGallery Cool / P23_Defining the Metropolis / P22_House DDR'dam / P21_Soundpiece @ Schouwburgplein / P2o_between Space and Place / P19_the top is within reach / P18_Transformation as Inspiration / P17_the Art of an Urban Culture / P16_Youth and the City / P15_IFF@R'dam / P14_We love to build / P13_the Rotterdam urban theatre / P12_Caribbean Summer @Afrikaanderwijk / P11_Festivalscity_Rotterdam / P1o_TimeLine R'dam / Po9_Moving East / Po8_Keep it, Green it, Live in it! / Po7_Morpho-Logic / Po6_Luik, Liege,Luttich / Po5_House FDU'sel / Po4_Shelter / Po3_New Alliances / Po2_Tria / Po1_Loft for Rent
Since the NewCanvas©Poetry&Art, part of the 37 Poetry International Festival, there is a sound-installation, the Soundpiece, under the floor of the Schouwburgplein, Rotterdam. This installation was placed by the artists Jasper Niens, Kamiel Verschuren en Thijs Ewalts.
By order of Rotterdam Festivals, the new owners of the installation, a strategy was made for a sustainable use of this installation. The Soundpiece has the ability to make the Schouwburgplein the urban cultural foyer of Rotterdam. By sound, the rich and divere cultural life of Rotterdam is spread in the public space.
More information about the program / more information about the use of the Soundpiece/ to become a Facebookfriend.
2oo9, Rotterdam, The Netherlands
The owner of the apartment has a busy life and wants his apartment therefor to have a light, open atmosphere, a place to relax and to come to ease.
This L-shaped apartment therefor has a minimal of materials and colours. In the main open space objects are put which define different places. These objects are placed so the sunlight can fall deep into the apartment.
Plywood has been used as the combining factor. The floor becomes a layer above the kitchenblock, becomes a part of the built-in closet and turns up the wall to become a desk.
2o1o, Rotterdam, The Netherlands
De Aanschouw Rotterdam started July 6th 2oo1 and is the first of art show-windows. It is located in a cultural area of Rotterdam. The show-window is attached to the exterior of a bar called 'de Schouw’. Since 2oo1, almost 4oo artists (national and international) have shown their works at 'de Aanschouw'.
CityGallery Cool sees Rotterdam as an open air museum and exhibits a new way to experience this museum, by drawing the attention of the spectator to the richness of detail that can be seen by walking through the city.
These details can be: proportions between the architecture and the details of the use of a building, personal expressions in the public space, natural versus cultural,...
De Aanschouw will be the starting point from where the total CityGallery Cool, positioned in the neighbourhood of the district Cool (Witte de Withstr., Boomgaardsstr., Kortenaerstr., Eendrachtstr.), can be experienced.
2o1o, Rotterdam, The Netherlands
In 2oo9 Rotterdam was the first European youth capital. This created a lot of energy in the city around problems of youngsters and opportunities for youngsters. Within different local authorities was examined how this generated energy can be applied in the future policy.
In co-operation with Donica Buisman, project manager European Youth Capital at the Rotterdam Institute for Art and Culture, dKC, an analysis of the current situation of the problems of youngsters and opportunities for youngsters in Rotterdam was made by literature study, interviews and brainstorm sessions with different youth organisations. Next to this the tendencies of youth culture in general was investigated.
The analysis was converted in conclusions and recommendations how to make Rotterdam an attractive, young and creative city.
Rotterdam has all the potential to become an attractive, young and creative city. There is, especially within the offered cultural activities, a strong basis to attract the youngsters. The main recommendations for Rotterdam were that the authorities have to stake more on the top talent and anchor youth participation in the programming, the organisation and the communication.
The advice (only available in Dutch) can be requested by emailing to mail@daviddooghe.com
2oo9, Rotterdam , The Netherlands
Four development scenarios on how youth culture could improve the dynamic in the central city of Rotterdam.
The Rotterdam Institute for Art and Culture, dKC, worked on advice for the strong cultural structure for central city. David Dooghe was asked to give input on how the central city can become more culturally attractive for the youth of Rotterdam.
Four development scenarios were made, each starting from a different group of young users of the central city: the youngsters growing up, the students, the starting creative class and the second/third generation allochthonous.
By creating cultural research and development facilities with spaces to interact with the public, by using the public space as podium and by connecting education and business, more possibilities are anticipated for the youngsters to develop and express their own youth culture in the central city, creating a breading ground for new art.
Culture is becoming more and more a part of identity of youngsters; it is a way to express and to identify themselves. Therefore they should always be seen as the ambassadors of their culture.
The advice (only available in Dutch) can be requested by emailing to mail@daviddooghe.com
2oo9, Rotterdam, The Netherlands
The World Port Days is an annual festival that takes place along the river Maas in Rotterdam. The organisation has the ambition to locate the festival not only along the river, but also in the inner city.
The Schouwburgplein is one of the first squares that visitors pass on their route from the Central Station to the river and in the design of the square are many references to the Port. This makes it the perfect space in Rotterdam in the inner city to host the World Port Days.
The square becomes an open air exhibition that informs the visitor about the activities that occur in the port on one hand, this through exposing products produced in the port, and about the story behind the design of the square on the other hand, this through highlighting the elements on the square that refer to the port.
Related projects: P22_Soundpiece@Schouwburgplein, P11_Festivalcity_Rotterdam
2o12, Rotterdam, The Netherlands
For centuries, the size of a city has been defined by the food production of her surrounding countryside. A century ago, technology started to create new possibilities for faster transport and slower food decay, allowing cities to grow, mostly at the disadvantage of the surrounding countryside.
The last decades there is a growing green awareness in the western world, aiming to bring city and nature more even. From that urban gardening, the use of available soil and containers by citizens to grow plants in an urban environment, grows popular.
Urban gardening knows a wide range of scales, users and purposes. An overview:
Urban gardening as a part of the city’s park & recreation, Brooklyn
Urban gardening as a part of the street, Brookyn
Urban gardening as a neighbourhood project, Rotterdam.
Urban gardening for own use, Rotterdam
Urban gardening as a statement, Brooklyn
Urban gardening as an educational tool, Brooklyn
Urban gardening as an art project, Torun.
By focussing on the quality of the city life for several decades, Vancouver has become one of the most liveable cities in the world. An overview of the lessons learned from a tour in Vancouver, guided by Larry Beasley.
a new waterfront
suburbanising the city
shape and place of the different towers
amplifying old and new
city and landscape
Planning
Vancouver has revived its old city quarters by the use of strategic and in time defined measurements. The renewal of the public space was organised together with specific “archipuncture” and the renovation of historic houses, activated by temporary allowances.
Next to the old city quarters, Vancouver has developed a new waterfront on a former harbour area. The area has an interesting mix of high-density urban housing and green, suburban like, streets. Larry Beasley: “I have been accused of suburbanising the city. But if you want to attract people, mainly grown up in the suburbs, to live in the city, you have to create a familiar surrounding. And as you can see, it works!”
The buildings at the waterfront combine different housing typologies: a plinth of ground orientated family houses and above the plinth: towers with different urban apartments. The towers are put back on the plinth so they are hardly visible from the wooded streets. The roofs of the plinth are green roofs or roof gardens, which gives more quality to the views from the above apartments.
The facades of the towers are mainly glassed, allowing light into the apartments (the weather in Vancouver can be dark and grey) and creating optimal views on the impressive landscape surrounding the city. At night, when the apartments are illuminated, the glass towers seem to become transparent.
The shape and place of the different towers was defined in the masterplan. The towers are familiar in materials but different in height and shape. A playful skyline is the result.
In these new housing areas, the amenities, (drug-, food and liquor store and sport fields) are at walking distance. Amenities produce reasons for the inhabitants to leave their house and give opportunities to meet others in the street. Because of the high density, the amenities are profitable.
Together with the new riverfronts, the nearby older city quarters were redeveloped, making them amplifying each other.
Organisation
By the redevelopment of the city, the community of Vancouver was consulted various times, asking how they wanted to live in the future city. From the resulting knowledge a masterplan was made. The community was frequently consulted but the planning department made the final decision.
This consulting took time and energy in the beginning but it has been rewarding in the end. By being a part of the process, the inhabitants of Vancouver feel stronger related to the city. In the process they learned about urban design, making them critical consumers towards the final buildings companies. The consulting also produced a strong public awareness of the importance of the project, making it less mouldable for changes due to, for example, elections.
The redevelopment of the waterfront has taken place in different phases, lessons learned and remarks of the inhabitants from former phases have been input for the later phases. Creating a specific urban design signature for Vancouver over time.