David Dooghe works as a researcher, strategist and designer on urban development.
The resulting projects can be temporary or long-term designs and strategies. These projects combine different scales and are characterized by their strong connection with the spatial, cultural, social and economical context of where they occur.
For David Dooghe the city is organic. Questioning the city and understanding its working principles is the path to a sustainable project.
For more information, click on the Project numbers:
P31_The New City Gates / P3o_Island Nijmegen-Lent / P29_World Port Days / P28_Water Garden / P27_the International Perspectives / P26_Economics of Beauty / P25_the Vibrant City / P24_CityGallery Cool / P23_Defining the Metropolis / P22_House DDR'dam / P21_Soundpiece @ Schouwburgplein / P2o_between Space and Place / P19_the top is within reach / P18_Transformation as Inspiration / P17_the Art of an Urban Culture / P16_Youth and the City / P15_IFF@R'dam / P14_We love to build / P13_the Rotterdam urban theatre / P12_Caribbean Summer @Afrikaanderwijk / P11_Festivalscity_Rotterdam / P1o_TimeLine R'dam / Po9_Moving East / Po8_Keep it, Green it, Live in it! / Po7_Morpho-Logic / Po6_Luik, Liege,Luttich / Po5_House FDU'sel / Po4_Shelter / Po3_New Alliances / Po2_Tria / Po1_Loft for Rent
Since the NewCanvas©Poetry&Art, part of the 37 Poetry International Festival, there is a sound-installation, the Soundpiece, under the floor of the Schouwburgplein, Rotterdam. This installation was placed by the artists Jasper Niens, Kamiel Verschuren en Thijs Ewalts.
By order of Rotterdam Festivals, the new owners of the installation, a strategy was made for a sustainable use of this installation. The Soundpiece has the ability to make the Schouwburgplein the urban cultural foyer of Rotterdam. By sound, the rich and divere cultural life of Rotterdam is spread in the public space.
More information about the program / more information about the use of the Soundpiece/ to become a Facebookfriend.
2oo9, Rotterdam, The Netherlands
The owner of the apartment has a busy life and wants his apartment therefor to have a light, open atmosphere, a place to relax and to come to ease.
This L-shaped apartment therefor has a minimal of materials and colours. In the main open space objects are put which define different places. These objects are placed so the sunlight can fall deep into the apartment.
Plywood has been used as the combining factor. The floor becomes a layer above the kitchenblock, becomes a part of the built-in closet and turns up the wall to become a desk.
2o1o, Rotterdam, The Netherlands
De Aanschouw Rotterdam started July 6th 2oo1 and is the first of art show-windows. It is located in a cultural area of Rotterdam. The show-window is attached to the exterior of a bar called 'de Schouw’. Since 2oo1, almost 4oo artists (national and international) have shown their works at 'de Aanschouw'.
CityGallery Cool sees Rotterdam as an open air museum and exhibits a new way to experience this museum, by drawing the attention of the spectator to the richness of detail that can be seen by walking through the city.
These details can be: proportions between the architecture and the details of the use of a building, personal expressions in the public space, natural versus cultural,...
De Aanschouw will be the starting point from where the total CityGallery Cool, positioned in the neighbourhood of the district Cool (Witte de Withstr., Boomgaardsstr., Kortenaerstr., Eendrachtstr.), can be experienced.
2o1o, Rotterdam, The Netherlands
In 2oo9 Rotterdam was the first European youth capital. This created a lot of energy in the city around problems of youngsters and opportunities for youngsters. Within different local authorities was examined how this generated energy can be applied in the future policy.
In co-operation with Donica Buisman, project manager European Youth Capital at the Rotterdam Institute for Art and Culture, dKC, an analysis of the current situation of the problems of youngsters and opportunities for youngsters in Rotterdam was made by literature study, interviews and brainstorm sessions with different youth organisations. Next to this the tendencies of youth culture in general was investigated.
The analysis was converted in conclusions and recommendations how to make Rotterdam an attractive, young and creative city.
Rotterdam has all the potential to become an attractive, young and creative city. There is, especially within the offered cultural activities, a strong basis to attract the youngsters. The main recommendations for Rotterdam were that the authorities have to stake more on the top talent and anchor youth participation in the programming, the organisation and the communication.
The advice (only available in Dutch) can be requested by emailing to mail@daviddooghe.com
2oo9, Rotterdam , The Netherlands
Four development scenarios on how youth culture could improve the dynamic in the central city of Rotterdam.
The Rotterdam Institute for Art and Culture, dKC, worked on advice for the strong cultural structure for central city. David Dooghe was asked to give input on how the central city can become more culturally attractive for the youth of Rotterdam.
Four development scenarios were made, each starting from a different group of young users of the central city: the youngsters growing up, the students, the starting creative class and the second/third generation allochthonous.
By creating cultural research and development facilities with spaces to interact with the public, by using the public space as podium and by connecting education and business, more possibilities are anticipated for the youngsters to develop and express their own youth culture in the central city, creating a breading ground for new art.
Culture is becoming more and more a part of identity of youngsters; it is a way to express and to identify themselves. Therefore they should always be seen as the ambassadors of their culture.
The advice (only available in Dutch) can be requested by emailing to mail@daviddooghe.com
2oo9, Rotterdam, The Netherlands
The World Port Days is an annual festival that takes place along the river Maas in Rotterdam. The organisation has the ambition to locate the festival not only along the river, but also in the inner city.
The Schouwburgplein is one of the first squares that visitors pass on their route from the Central Station to the river and in the design of the square are many references to the Port. This makes it the perfect space in Rotterdam in the inner city to host the World Port Days.
The square becomes an open air exhibition that informs the visitor about the activities that occur in the port on one hand, this through exposing products produced in the port, and about the story behind the design of the square on the other hand, this through highlighting the elements on the square that refer to the port.
Related projects: P22_Soundpiece@Schouwburgplein, P11_Festivalcity_Rotterdam
2o12, Rotterdam, The Netherlands
What could be the role for the urban design and the designer now the long-term perspective seems to be under pressure by the focus on short time winnings?
For Plandag 2011, Planning of the future, David Dooghe wrote a paper on how the role of the urban design and designer is shifting.
The paper is published (in Dutch) in the book: Planning van de Toekomst, Plandag 2011, Redactie: Geiske Bouma, Friedle Filius, Elke Vanempten en Bas Waterhout. ISBN/EAN: 978-90-808545-0-5
The paper starts from 2 observations:
- Technology is developing at a speed limit and some of these implications of technology in products have mayor influence on the urban tissue. What is new today is old tomorrow, so how to create a long-term perspective of the design?
- Due to the end of the welfare state the government is redrawing. This creates a shift in the commissioning of the building projects from the public to the private sector. However, the private sector has different interests than the public sector. Next to the shift in commissioning there is a shift from supplier market to a demand market, giving more power to the future resident of the house. Where there used to be one strong commissioner, the public sector, there is now an abundance of parties, each with different interests. How will this influence the role of the urban designer in the design process?
At the moment the major part of the redevelopment projects in the Netherlands use the tubula rasa approach. First there are no more investments (public space and buildings) in the area. Because of this, people move out and the area gets a bad reputation, which finally results in the demolishing of the buildings.
To attract new buyers, a lot of money is invested in promotion, activities, ... with the goal to sell the houses and to start the rebuilding.
Within this tubula rasa approach there is no possibility to adjust to the external influences during the process, like technology or economy. Neither is the area inviting during the process, in order to more naturally attract future residents.
In the paper an alternative approach is given. By a strategic demolishing and rebuilding of the area in different parts and by the use of specific temporary functions, fitting for the new identity of the area, a more sustainable process is the result. By demolishing and rebuilding in parts, the adjustments, due to external influences, can be easier implemented. By use of specific temporary functions, the area stays more lively and therefor more inviting.
The urban plan should no longer focus on the final destination but on the steps needed to get there. The urban designer, as continuity in the process from drawing to rebuilding, takes care of the process and adjusts when necessary. By this the urban designer gets a central role in the process and the coalition of the different parties.
He/she does not focus as much on the final destination but on the steps how to get to that destination.
Tired City, artist Jorge Macchi
'For me the work starts with an image, not an idea.’ Jorge Macchi
‘Music Stands Still’ is a major exhibition at S.M.A.K. showing work by the Argentine artist Jorge Macchi.
‘He achieves maximum perception using a minimum of form: the viewer should not try to interpret the work, but simply to experience looking at it.’
In his work Tired City, Jorge Macchi moderates the multilayered citymap of Mexico and with that enhances the experience of the city. In difference to the common known analytic mono layered urban design drawings, Jorge Macchi cuts the unwanted layers out of the map. The result is a paper structure that, suffering by the absent parts, becomes a three dimensional object.
How still, slow and silent is the city? In the talkshow Multitasken, David Dooghe was interviewed on his experiences as curator of Soundpiece.

“Still, slow and silence is in contradiction with the ‘city’. Cities have always been dynamic places full of movement and encounters resulting in sound. The sound of the city, however, has changed over the decades. Sounds used to be recognisable and traceable. Now new technology and machines create a constant surrounding noise, which can’t really be determined or localised. These sounds alienated us from our environment. Maybe the frequent use of mp3 players and Ipods by persons through the city could partly be explained in a way that, by masking the unknown sound of the city by recognisable sounds, we feel more at ease in the city. Because of this soundcocoon, however, we do not fully experience the city.
The effect Soundpiece has on people is therefore interesting. The size of the installation makes that, walking above Soundpiece, people are at one point totally surrounded by the sound of Soundpiece and the sound of the city fades away in the background. When they recognise the sound, people stop and look around hoping to find the source of the sound. It is a lucky coincidence that the sound of the installation can’t be localized immediately. Therefore because of Soundpiece people experience the Schouwburgplein more fully."
Multitasken is a talkshow with the focus on pop music, organised by Makers Collective Sandersgeluk and hosted by Vincent Cardinaal. Other participants on the talkshow: Lucky Fonz III (singersongwriter), Cilia Erens (soundartist), Ester Naomi Perquin (City Poet Rotterdam), Ronald Ligtenberg (Sencity), Falk Hübner (composer, researcher)
This stencil graffiti has more similarities with the original painting: La nascita di Venere, Botticelli then just the iconographic face of Venus.

The stencil graffiti is perfectly positioned in its surrounding:
- Venus is in the middle of the canvas and the stencel graffiti is place perfectly in the middle of the concrete column, at eyesight when you walk by.
- Notice that the stencil graffiti is mirrored for a specific reason. Moustly, there is wind blowing down the stairs (mainly diagonal lines) and the tunnel (mainly vertical lines) is ready to embrace her.
Train station, Aalter, Belgium 2o11, artist: unkown


