'City' is the outcome of a process called 'urbanization'. David Harvey
C
oncepts
  • P17_The art of an urban culture

    Four development scenarios on how youth culture could improve the dynamic in the central city of Rotterdam.

    The Rotterdam Institute for Art and Culture, dKC, worked on advice for the strong cultural structure for central city. David Dooghe was asked to give input on how the central city can become more culturally attractive for the youth of Rotterdam.

    Four development scenarios were made, each starting from a different group of young users of the central city: the youngsters growing up, the students, the starting creative class and the second/third generation allochthonous.

    By creating cultural research and development facilities with spaces to interact with the public, by using the public space as podium and by connecting education and business, more possibilities are anticipated for the youngsters to develop and express their own youth culture in the central city, creating a breading ground for new art.

    Culture is becoming more and more a part of identity of youngsters; it is a way to express and to identify themselves. Therefor you should always be seen as the ambassadors of their culture.

    The advice (only available in Dutch) can be requested by emailing to mail@daviddooghe.com

    2oo9, Rotterdam, The Netherlands

    P17
  • P19_The top is within reach

    An analysis with recommendations on how Rotterdam can become an attractive, young and creative city.

    In 2oo9 Rotterdam was the first European youth capital. This created a lot of energy in the city around problems of youngsters and opportunities for youngsters. Within different local authorities was examined how this generated energy can be applied in the future policy.

    In co-operation with Donica Buisman, project manager European Youth Capital at the Rotterdam Institute for Art and Culture, dKC, an analysis of the current situation of the problems of youngsters and opportunities for youngsters in Rotterdam was made by literature study, interviews and brainstorm sessions with different youth organisations. Next to this the tendencies of youth culture in general was investigated.

    The analysis was converted in conclusions and recommendations how to make Rotterdam an attractive, young and creative city.

    Rotterdam has all the potential to become an attractive, young and creative city. There is, especially within the offered cultural activities, a strong basis to attract the youngsters. The main recommendations for Rotterdam were that the authorities have to stake more on the top talent and anchor youth participation in the programming, the organisation and the communication.

    The advice (only available in Dutch) can be requested by emailing to mail@daviddooghe.com

    2oo9, Rotterdam , The Netherlands

    P19
Who
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  • Urban Venus

    800px-la_nascita_di_venere_botticelli-1

    The stencil graffiti is perfectly positioned in its surrounding:

    - Venus is in the middle of the canvas and the stencel graffiti is place perfectly in the middle of the concrete column, at eyesight when you walk by.

    - Notice that the stencil graffiti is mirrored for a specific reason. Moustly, there is wind blowing down the stairs (mainly diagonal lines) and the tunnel (mainly vertical lines) is ready to embrace her.

     

    Train station, Aalter, Belgium 2o11, artist: unkown

    U11o428 _ P17
  • From free to extra’s

    Low prized places seemed to attract artists in the past. At the moment, in the contest between cities to attract and grow a significant creative class, more facilities than just low prized workspaces are needed. As inspiration, two art en design centres of which facilities complete the workspaces in the building and relate to the urban area around the building.

     

     3ward

    3rd Ward is a member-based art and design center for creative professionals in the industrialized area of East Williamsburg, Brooklyn. 3rd Ward offers shared and private workspace and facilities that support the development and fabrication (professional wood and metal shop and jewelry studio), as the trade (multiple photo studios, a fully loaded digital media lab, an exhibition space, a large network and a free, full-color magazine) of the product or art piece. By offering classes, it is possible to improve skills or add some new ones. Because of its non-residential location and low public transport connectivity, 3rd Ward gives free bikes to all of their members. 3rd Ward ensures that NYC's diverse creative industry has all the tools, space, and resources needed to keep learning and growing.

     

     bad

    Foundation B.a.d is located in the leafy neighbourhood of Charlois. Rotterdam. This is now an upcoming residential area particularly popular with the creative community. The principle aim of Foundation B.a.d is to provide studios, guest studios and project spaces. Each studio has a sink, basic furniture (table, chairs etc) and a stable internet connection. Furthermore, there is a common kitchen and bathroom, laundry room and a computer room with telephone and copy machine. Foundation B.a.d has a large garden and provide several communal spaces, which are used by members and guests for artistic and social activities. Foundation B.a.d enables presentations by their guests as well as organizing and hosting a wide range of activities such as concerts, theatre plays, exhibitions, seminars. The members, guests and wide range of activities provide a dynamic, resourceful and continually evolving environment where creativity is supported and networks are cultivated.

     

    U11o121 _ P25/ 2o/ 19
  • Claiming the street

       publicartcara deserted car used as a canvas


    U1o1113 _ P17
  • Whose is the city?

    The last couple of years Rotterdam invested in the public space of its inner city, with the goal to create a ‘City lounge’, a space where people meet, stay, repose.

    Youngsters are the main users of Rotterdam inner city’s streets  to meet and stay”, stated David, “Being the city with growing percentage of youngsters, this could have a good effect on the goal of Rotterdam, to create a city lounge in the inner city.”

    But while Rotterdam invests to create a public space to meet, the use of the public space is more and more regulated. In some places meetings of a group larger than three persons in the public space is prohibited. The security concerning festivals gets stronger regulated, making festivals impossible to happen.

    In the debate quickly the Friday evening ‘problem’ on the Lijnbaan, the main shopping street of Rotterdam and the place and time were youngsters meet, became the main case. The presence of the youngsters creates fear, a passive aggressive atmosphere like somebody in the public stated, among the other users of the shopping street.

    “Isn’t this fear more of a generation conflict than a real threat?” David asked the other participants and public, “Knowing that ‘staging’, defining your personality by ‘taking the stage” at every possible moment, is an important part of the youth culture. They aren’t really threatening the others, but they will make sure the others have seen them. What better place in Rotterdam than the Lijnbaan to do this?”

    For the politician present, the world works in a way that once something is a problem, it stays a problem. Therefor the rest of the debate got lost in convincing the others of the urge of the problem.

    A pity, an out of the box brainstorm with all these interesting participants of the debate could have created new insights.


    U1o1o1o _ P25/ 19/ 17/ oo
  • Cultuurprogramma Binnenstad 2o2o

    In this advice the four tasks for the future are: consolidate, concentrate, present and generate.

    Some of these tasks are specifically concerning youngsters. Rotterdam should consolidate the starting creative class by creating a policy for breading grounds and creative working places. Rotterdam should generate more by investing in talent development of youngsters. In the new culture plan talent development should be more stimulated. Rotterdam should also attract more students in the city centre, by keeping the higher (cultural) education in the city centre and by creating student housing.

    The definition of youngsters in the advice is very general and therefore the specific projects concerning youngsters do not show any big surprises or innovation.

    The advice gives a good survey of long term investments in cultural infrastructure that have to be done. What is missed is a good survey of strict regulations that now make cultural expressions in the public space difficult. These regulations bring a lot of initiatives of youngsters to a halt today.


    U1oo316 _ P17/ 16
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